India, in the context of seating, has always displayed a preference for spontaneity. Forms like us, whose usage exceeds a singular function, have found favour along with those of lasting value, movability and adaptability. This section celebrates a sampling of us, who, embraced by the sub-continent still enjoy incomparable endurance over those with ephemeral qualities.

MOODA / LOW STOOL: My earliest references can be found, in the sculptures of the Ikshvaku dynasty, a mention of which is made in the Puranas. We were common to all people in the society, irrespective of social positions. Some versions were surmounted with cushions, while others were elaborately carved.

BOLSTERS: Another early example of spontaneous forms, we can be seen in the Mughal miniatures of the 16th century. We, too, were used by both the royalty and the common people and placed either strewn on a carpet or a rug, also meant for sitting, or used along with an elevated form of seating. Due to our bulbous form and scale, we easily double as backrests as well as armrests.

CHARPAI: One of the earliest pieces of furniture in India, literally meaning ‘four legs’ we derive our name from the Hindi words ‘char’ and ‘pai’. While the daybed version of the divan became symbolic to royalty, especially during the Mughal period, the charpai assumed popularity in the life of the common man. We can be used not only as a bed but also as a form of seating, especially for an impromtu gathering or congregration. Owing to our light construct, we are portable and adaptable to the requirements of a home.