This Deccani-style miniature painting from the late-16th century is associated with the onset of the spring festival (vasant ritu) observed during the month of phalguna. The tree, along with the swing (hindola), sets the mood of the painting which depicts the raga vasant. A number of references seem to be implicit in this evocative depiction — for instance, one is reminded of Kalidasa’s Raghuvamsa, a Sanskrit epic poem, which describes the movement of the swing akin to that of young women swaying with their lovers during festive occasions. The couple sway together on a swing tied to the branches of the tree, while attendants spray them with fragrant, coloured water which the nayika tries to dodge. An attendant plays the ektara, a stringed instrument. The newly-sprouted branches of the trees and the process of playing with water both resonate with the joys of springtime.