According to George Michell’s Mughal Style, though geometrical patterns were common to Islamic architecture across Central Asia and Persia, in Indian inlaid masonry they accrued a distinct indigenous identity. Locally sourced white marble and red sandstone were juxtaposed to create textural and colour contrast. To further intensify the visual effect, masons also incorporated yellow sandstone and black stone. The end result was a richly toned, polychrome surface.

Akbar’s Tomb is an example of the early phase of manabhat kari, or stone inlay as it was traditionally known. This stage is characterised by bold and impressive patterns that best suited entrances and doorways. Panels feature geometric, floral and calligraphic inlay-work, and prefigure the more delicate designs later incorporated in Itimad-ud Daula’s tomb.