The displayed image is a fine example of Usta kaam, where raised designs are
made using glue-like gesso paint. Since it required a smooth base – besides
smaller boxes and trinkets – this technique was extensively employed to
decorate walls and surfaces.
Taarabandi, a pattern reminiscent of a star-studded sky; and naqqashi, an array
of tiny flowers and motifs drawn in a space the size of a thumb, were favoured
formations at Bikaner. The craft is named after the community that excelled in
it. The Usta craftsmen migrated from Multan to the Mughal Court at Delhi,
before reaching Bikaner at the invitation of Raja Rai Singh.
Information & Image Courtesy: Royal Palaces of India by Tarun Chopra
ANUP MAHAL, CORONATION ROOM, BIKANER
PERIOD: 1669-98
PERIOD: 1669-98